P.S. Nivas, who died on the Authorities Medical Faculty Hospital, Kozhikode, on Monday on the age of 73, was a cinematographer who made his mark in varied south Indian movies, together with some iconic ones equivalent to 16 Vayathinile and Sagara Sangamam (Salangai Oli).
It was his excellent work within the 1977 Malayalam movie Mohiniyattam that first gave him broad recognition. He additionally received the nationwide award for the most effective cinematographer (black-and-white) for that movie directed by Sreekumaran Thampi.
Born in Kozhikode, Nivas learnt cinematography from the Institute of Movie Expertise, Adyar, Chennai. After helping in Malayalam movies equivalent to Kuttyedathi and Chembarathi, he turned an impartial cinematographer with Sathyathinte Nizhalil in 1975.
“He had expressed the will to work with me and I had religion in him as he was a product of the Adyar movie institute,” Thampi informed The Hindu. “He lived as much as my expectations too, as he gave me some great frames in Mohiniyattam.”
Thampi recalled that it was after watching Mohiniyattam at a cinema in Chennai that Bharathiraja signed him up for his directorial debut 16 Vayathinile, which featured Kamal Haasan, Rajinikanth and Sridevi, who would all go on to change into superstars of Indian cinema. Nivas’s digicam performed a significant function in making the movie set in rustic Tamil Nadu attaining cult standing. Nivas and Bharathiraja teamed as much as make extra memorable movies equivalent to Kizhakke Pogum Rail, Sigappu Rojakkal and Ilamai Oonjal Aadukirathu.
When Bharathiraja turned actor with Kallukkul Eeram, it was Nivas who directed him.
He directed a couple of extra movies, but it surely was as a cinematographer that he contributed extra to cinema. “I feel he acquired fewer alternatives as a cinematographer after he determined to change into a director,” stated Thampi. “He was one of many most interesting cinematographers in south Indian cinema within the Seventies and 80s.”
He remained largely unsung although.