After ‘Paava Kadhaigal’ musician Sivatmikha dives into independent tracks

R Sivatmikha, whose newest work in Vetri Maaran’s quick for Paava Kadhaigal has been well-received, is ready to launch independent songs on-line

“Her music was minimalist and easy. The background rating enhanced my story in Paava Kadhaigal.” These phrases of reward from director Vetri Maaran is one thing that music director R Sivatmikha treasures. She exhibits the video clip of a latest interview, the place the director enhances her work. Says Sivatmikha, “Vetri Saar gave me the inventive house to experiment with genres. For the agricultural setting in Oor Iravu, particularly in the direction of the tip the place actor Prakashraj is proven seated in entrance of a home within the village, I attempted an European fashion of music for the background and it blended seamlessly with the narrative.”

Having made her debut as a music director with Antony, this Coimbatore-bred composer is now gearing as much as launch independent tracks. Sivatmitkha was given the moniker gaana lady after her well-liked music ‘Gaana’ garnered over 2.6 million views on YouTube. “I used to be trolled for lyrics that used English phrases, although the music was effectively obtained. It spoke of how the native style from the South ought to go world.”

After ‘Gaana’, she dived into Paava Kadhaigal and is now again once more making independent tracks themed round trans music and instrumental tracks with none vocals. “I’ve ensured that there aren’t any Tanglish lyrics this time round,” laughs Sivatmikha, who has achieved a preparatory course in Digital Music Manufacturing in AR Rahman’s KM Music Conservatory, Chennai.

Her music, she says, is impressed by sounds round her, be it her pet cat Aslan’s meow, the siren of an ambulance or the vrooming of a motorbike. “ The truth is, I recorded the vroom sound of the bike and used it as an instrument for one among my independent tracks.”

She has additionally composed ‘Kannae Kanmaniye’, a melancholic lullaby for Oor Iravu. “It was later used as a gap music for all 4 episodes of Paava Kadhaigal. There are plans to launch a full model of the music quickly.”

How did she react when she noticed the movie. “I teared up and it took me over per week to come back out of it. It was so actual that it jolted me.”

A letter from the Editor

Expensive subscriber,


Your assist for our journalism is invaluable. It’s a assist for reality and equity in journalism. It has helped us hold apace with occasions and happenings.

The Hindu has at all times stood for journalism that’s within the public curiosity. At this tough time, it turns into much more necessary that we have now entry to data that has a bearing on our well being and well-being, our lives, and livelihoods. As a subscriber, you aren’t solely a beneficiary of our work but additionally its enabler.

We additionally reiterate right here the promise that our group of reporters, copy editors, fact-checkers, designers, and photographers will ship high quality journalism that stays away from vested curiosity and political propaganda.

Suresh Nambath

Source link

Leave a Reply

Your email address will not be published. Required fields are marked *