Family Drama Movie Twitter Review : A dad has two children Rama and Lakshman. Consider the possibility that both are terrible. Imagine a scenario where you will think twice about the dad for the property. What amount? Same ‘Family Show’
“Human conduct is one thing at home and one more external society. However the thought is something similar in the psyche … the possibility of going out professionally is unique. Every one individuals on earth are ‘acting’ to win the fight for endurance. The man releases his ‘Kaliyuga Maya’ to keep up with his reality “- this is the thing that the chief says toward the start of the film.
Family Drama Movie Twitter Review
Family Drama Movie Cast & Crew
| Movie Name | Family Drama |
| Genre | Psychological Thriller |
| Release Date | 29-Oct-21 |
| Cast | Suhas, Teja Kasarapu |
| Director | Meher Tej |
| Producer | |
| Music Director | Ajay |
| Rating | 2.5/5 |
Family Drama Story Line
Recently wedded to Lakshman (Teja Kasarapu). His significant other’s name is Yamini (Pooja Kiran). Both are love relationships. Laxman is attempting to begin a business. On the off chance that he asks his dad (Sanjay) for cash he advises him to find a new line of work.
He cautions Lakshman that on the off chance that he doesn’t find a new line of work in two days, both the companions will be terminated. Incapable to get a new line of work, he removes his oldest child Rama (Suhas) out of the house.
Rama, who knows the circumstance of his more youthful sibling … meets Lakshman with an arrangement. What is Rama Plan? What has this family have to do with the chronic executioner who chokes himself with a sharp edge and submits a progression of murders in the city? Is the remainder of the film.
The start of the ‘Family Dramatization’, which appears to have six relatives – a house to situate the crowd in the theater (before the screen), is by all accounts the main hour.
Despite the fact that it is chief Mehr Tej’s first film … the manner in which the film opens and the methodology taken in the primary half is noteworthy.
Particularly the Suhas portrayal. Paying attention to the music … the crowd gets a sort of feeling when they see Suhas acting like a film. Later on his acting becomes intriguing.
The chief set aside some effort to present Suhas and the remainder of the characters. Went into the story without huge turns.
The turns given to the characters in the story give a little shock and shock. The film proceeds to make the crowd can’t help thinking about what will occur straightaway.
Ambient sound is the fundamental justification for this. Without giving standard routine music … Ajay – Sanjay had a go at a novel, new thing. The enthusiasm of the chief who has taken such music ought to likewise be valued.
Showing Suhas as a young fellow paying attention to traditional music, the ambient sound that is heard when his person shows up makes the film intriguing. Anyway … the story dialed back after a significant bend was uncovered in the film.
Feeling we have ‘Run running on empty’s inwardly. The anticipation increments again when the climactic scenes show up. The film closes with a bend that nobody anticipated. The chief composed a fine story with less characters.
It would have been great if the scenes in the subsequent half had been composed seriously grasping. He got incredible help from music chiefs Ajay – Sanjay. The ambient sound has frequently supported the film. Cinematography and creation esteems are great.
The words were utilized sparingly. Dramatization was developed in the scenes every so often. Regardless of whether there are murders in succession or individuals are vanishing … there are no records of relatives or the police giving a lot of consideration. The chief took on realistic freedom in such manner.