Whether the laws can be used against the incompetent .. What is in the power .. A prisoner who is being punished for a crime he did not commit .. How can the game of the real criminals be constructed using Section 211 .. Director Vijay Kanakamedala showed in the opening film.
Bandi Surya Prakash (Allari Naresh) is a middle class software employee. Surya Prakash, who fell in love with Meenakshi (Navami singer) at first sight, marries her with the consent of the elders and leads a beautiful life with his mother, father and wife. However, with the help of lawyer Raj Gopal (CVL Narasimha Rao), Surya Kishore is imprisoned in a murder case by CI Kishore (Harish Uttaman). Surya Prakash loses his wife who was tied up with his parents after spending five years in jail and being punished for a crime he did not commit.
He is in a helpless position as the evidence in the court is against Surya Prakash. At that moment, junior lawyer Aadya (Varalakshmi Sarathkumar) brings Surya Prakash out on bail. First of all what has this murder case got to do with it? CI Kishore .. Why does Surya keep Prakash in this case ..? What has Home Minister Nagendra (Vinay Verma) got to do with this case? How did Surya Prakash get acquitted under Section 211? That’s the rest of the story.
In the first scene, Allari Naresh, who was sitting naked in front of the police with his hands clasped in front of the police station, made it clear that he had completely sidelined the heroism for the film. Punishment for a crime not committed .. Revenge on the original perpetrators is an old story. The story, however, incorporates a new point, Section 211, which highlights the flaws in the justice system.
Revenge stories also have heroism .. not only eating with the villains .. there are also scenes where they are beaten and kicked. It’s different for such stories. There will be horrible bloodshed but .. all that bloodshed came from the body of the hero who was beaten by the villains. In the story, director Vijay Kanakamedala portrays the pain of an innocent man away from the hero rather than the soul.
Allari Naresh lives in the role of Surya Prakash. He gave the best performance of his career through this film. He made his eyes water in the emotional scenes. In the first scene, he acted without clothes. Parents dead scene .. Court scenes take Naresh one step further as an actor. Allari Naresh cultivates emotions in every frame.
Not a hilarious commotion .. ‘Nandi’ did this movie for a weeping performance. Allari Naresh is stuck in the role as if he is ready to give his life for the role. Naresh came out of the commercial formula that the hero in the story should be a bit of heroism. He only showed perfection in the character. Alas, in the scenes where the police and the villains beat each other up, it was a pity.
The story picks up speed with the entry of the first character, Lawyer, played by Varalakshmi Sarath Kumar. Fastoff So .. The first entry accelerated the story while Soga was running. Not only the lawyer but also the background of her role in the crime is interesting. Scenes of Varalakshmi Sarath Kumar threatening senior advocates with court scenes also added strength to the story.
The role of the heroine is not a big priority. Navami singer .. Meenakshi seemed to be okay in the role. We did our best to keep this story away from routine commercial elements like romance and love scenes between hero and heroines. However, knowing that the hero is in trouble .. Leaving him and marrying another man has reduced the importance of the protagonist.
As a Police Investigation Officer, Harish Uttaman impressed in his role with negative shades. Comedian Priyadarshi and Praveen Panchlu exploded in this serious story. The way in which they are involved in the story is commendable, rather than just for comedy. Vinay Verma as Home Minister and Srikanth Iyengar as Lawyer impressed. Devi Prasad, who played Naresh’s father, got a good role. Did full justice to that character. The Naresh combination scenes, however, feel dramatic. For the son to study, the father should stop taking drugs and cigarettes. The mother should stop writing powder.
Sricharan Pakala’s music is a plus for this film. Chhota K Prasad editing, Sid cinematography are all well done. Satish Vegeshna as the producer provided good production values for the film.
Overall ‘Nandi’ is a good message film. A small effort to raise awareness on the laws. Hero Naresh’s acting is awesome. However, for those who watch movies for heroism, this movie is not so good. There will be no running seasons except for the hero falling. Every victory has a struggle .. Every struggle has a step forward .. It is the ‘beginning’ of Allari Naresh’s victory.